Monitors / Monitoring

Ocean Way’s newest studio speakers bring the sound of ’70s horn‑loaded mains to the nearfield monitor format.

My church is using Shure SE‑215CL in‑ear monitoring with PreSonus HP2 personal amplifiers, and the sound is distorted...

If you crave the refined sound of large planar magnetic cans but are put off by the price, Avantone’s newest headphones could well be the answer.

The revised Klasik from Polish company APS offers exceptional performance at a remarkably low price.

AA’s latest cans employ their successful high‑excursion driver in a new on‑ear design.

Avantone’s take on the classic NS‑10 is now available in powered form. We fire them up...

Adam Shepard of ADAM chats to Sam Inglis about the distinctive technology at the heart of ADAM's loudspeakers and explains how they've achieved so much in a mere five years!

Having mastered the dynamic microphone, US company Audix turn their attention to headphones — with impressive results.

Re‑Head aims to offer headphone users a loudspeaker‑like listening experience.

Amphion’s innovative FlexBase system offers true‑stereo sub‑bass in a single speaker cabinet.

Unity are known for their uncompromising approach to studio monitoring, and their latest design doesn't disappoint!

What exactly is the crossover frequency in studio monitors, and how much attention do I need to pay to that spec?

PreSonus' popular Eris range has been given an XT upgrade. We put them to the test!

If you thought earbuds were a compromise, think again...