Not only does this portable box grant you access to the famous 88R console’s channel compressor anywhere you go, but it’s also blessed with several clever features.
In Reaper, I matched the fader levels and flipped the polarity of the new track. I should hear nothing when both tracks play, right? But I don’t. Why not?
Having studied the sturdy Studer 169 console, French company HLabs decided its classy combination of mic pre and EQ deserved a place in modern studios.