SOUND ON SOUND
Software‑controlled ‘patchbays’ are invaluable for recall and routing in hybrid studios. Is this the right one for you?
Does this new compact Rodecaster achieve the same balance of flexibility, power and ease of use as the larger Pro II?
Can cleaning and enhancing dialogue really be this easy?
As this vocal production powerhouse evolves, it’s not only growing more powerful — it’s also becoming quicker and easier to use.
Contrary to popular reports, preamps don’t all sound the same — and this clever modular system makes it easy to hear the ‘magic’.
We try one of the keenest‑priced 1073 clones currently available.
Does Lindell’s LiN2A sound as classy as the famous compressor that inspired it?
Music production has changed a good deal since Harrison’s most famous in‑line console enjoyed its heyday — so they decided to bring it up to date.
LANDR’s automated mastering service just got better... and it no longer requires a connection to the cloud.
Mic preamps and DIs all sound the same, right? Nope!