MOTU

Windows users looking for comprehensive and professional editor/librarian support for their MIDI instruments may not need to look any further. Paul Nagle perks up his patches with Unisyn.

MIDI interfaces come in many different shapes and sizes, with most slotting inside the PC. External interfaces, however, such as those made by MOTU, can offer certain advantages, as Martin Walker discovers.

This unconventional sequencer program aims to let musicians work like musicians rather than computer programmers, and has already met with an enthusiastic response in its original Mac version. Paul Nagle hand-picks his virtual musicians and gets jamming.

If you feel that the average sequencer makes you take off your musician's head and put on your computer programmer's head, take a look at FreeStyle. Derek Johnson is not a number, he's a free man...

Nearly two years after everybody else jumped on the Power Mac bandwagon, Mark Of The Unicorn have finally come on board with their flagship sequencer, which will now record and play back audio without the need for external hardware. Has it been worth the wait? Derek Johnson finds out.

Three years since it was first announced, MOTU's Digital Timepiece is here at last. Bristling with features, it aims to become the one-stop solution for the digital project studio's AV sync needs. Mike Collins explains how to get clock-wise...

Interested in combining hard disk recording with other analogue and digital recording formats? Paul White connects with a versatile recording interface that offers a host of interconnection options and also claims one of the lowest latency figures in the business.

Nicholas Rowland tries out the new features in MOTU's ever-evolving flagship Macintosh sequencing package.

I am interested in purchasing a vocoder plug‑in. I am currently running Digital Performer v2.7 on a 450MHz...

Evolution is happening everywhere, and nowhere more so than MOTU's flagship recording software for the Mac. Nicholas Rowland tracks down the latest version.