Mixing / Production

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

Multi‑platinum mixer and engineer Richard Chycki details how he got Geddy Lee’s bass sound on ‘Caravan’.

Timofey Reznikov made a name for himself recreating tracks by famous producers. Now, he mixes their tracks!

Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.

Resident in Mexico City, engineer Juan Sebastián Rodriguez thanks British producer Phil Vinall for his baptism into the recording industry.

For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.

Beyoncé’s chart‑topping album Renaissance showcases a production process that’s all about staying in the moment.

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

If you’re struggling to get everything in your mixes coming across loud and clear, read on.

Mark Mynett, talks us through prepping for and recording a bass session, including ways to generate multiple layered tracks for use in your final mix.

Nearly two years after its release, Cat Burns’ single ‘Go’ gave Aaron Ahmad his first major mixing hit.

New York‑based producer Randall Dunn answers the SOS quickfire questions.

Ever had trouble getting a plain DI’d bass guitar to sound right in a mix? Me too, sometimes! But it’s almost always fixable once you understand the issues.

These audio files accompany August's 'Mixing DI Bass Guitar' workshop.

Richard Norris talks about his early break into the music industry, success with The Grid in the 90s, his many collaborations, remixes and unexpected career turns.

Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Tony Ni from Soundtoys sits down with Sam Inglis to discuss his mixing workflow and to explain how he uses core Soundtoys plug-ins to achieve his sound.

Geoff Swan gave up a successful studio business to become an assistant engineer — a risk which paid off with Charli XCX’s number one album, Crash.