Battery-powered PA Speakers

From busking to barbecues, gigging with no mains power is now an affordable reality. We check out the current options.

There’s no shortage of portable PA gear these days, and thanks to efficient amplifiers and clever cabinet designs, even light, compact systems can pack a serious punch. However, it doesn’t matter how easy a rig is to transport if there’s nowhere to plug it in! Thankfully, there are now plenty of options available that can run entirely on batteries, offering a great solution for outdoor events or those awkward rooms where there are no spare power sockets to be found. They come in all shapes and sizes, from tiny units designed for rehearsing or providing light reinforcement to much larger boxes that can be linked together to create a serious mains‑free alternative to traditional PA systems. So, as you might have guessed,§ this month’s SOS Spotlight is focused on battery‑powered PA speakers equipped with built‑in mixing capabilities.

Alto Busker

Alto BuskerAlto’s aptly named Busker houses a 6.5‑inch woofer and one‑inch tweeter with up to 200W of power in a compact and lightweight cabinet that can be transported easily, but is durable enough to stand up to some serious use. Its angled cabinet design allows it to be tilted up in both horizontal and vertical positions, and there’s a built‑in mount for attaching it to a speaker stand. For those wanting to run a stereo setup, it’s possible to link two Buskers wirelessly via Bluetooth. An integrated three‑channel mixer offers a pair of XLR/TRS combo sockets for mic and line‑level sources, with both wired and wireless aux connections provided by 3.5mm and Bluetooth connectivity; you also get a selection of built‑in Alesis reverb, delay and modulation effects, along with Mix and Record outputs (on XLR and RCA respectively) and a USB port for charging a mobile device. As well as being able to run on mains power, the Busker has an onboard battery that can offer up to 24 hours of operation thanks to a Battery Eco Mode setting.

Just as we were about to go to press, Alto announced the new TX4 Series, which includes the TX412B, a 350W 12‑inch cabinet that features a built‑in two‑channel mixer with mic, line‑level and Bluetooth connectivity.

Behringer MPA Series & C210B

Behringer MPA200BTYou’ll find a number of options in Behringer’s MPA range, starting with the MPA40BT and MPA40BT‑PRO, a pair of 40W systems with a built‑in three‑channel mixer that offers two mic/instrument channels and a stereo channel equipped with RCA and wireless Bluetooth inputs; both units feature a master two‑band EQ and offer support for Behringer’s range of wireless mics. The PRO variant occupies a slightly larger cabinet and features integrated wheels and an extendable handle. Next up are the MPA100BT and MPA200BT, 100W and 200W systems that each come bundled with a wireless mic. Both feature a pair of mic/line channels that offer XLR/TRS combi sockets along with built‑in wireless support for the included mic, while their stereo channel offers both 3.5mm TRS and Bluetooth connections; the MPA100BT can be switched between Music and Speech modes, and the MPA200BT includes some onboard processing courtesy of Klark Teknik.

For larger events there’s the C210B, a 160W compact line array that pairs an eight‑inch sub and four 2.75‑inch drivers with a three‑channel mixer that accepts a mixture of mic, line‑level and instrument sources. It also boasts an onboard media player that will play tracks from a USB stick or SD card, as well as wirelessly over Bluetooth.

Bose S1 Pro+

Bose S1 Pro+Bose are a popular name in the portable PA world, and their battery‑powered offering comes in the form of the S1 Pro+, a compact unit that can be either freestanding (horizontal or vertical tilting is possible) or standmounted. A pair of mic and line‑level inputs are provided by two channels equipped with XLR/TRS combi inputs, with a third channel offering wired (quarter‑inch and 3.5mm TRS) and wireless (Bluetooth) connectivity for playback devices. There’s also a line‑level output that can be used to feed a second device. A rotary encoder on each channel offers control over level and a two‑band EQ, with the two mic/line channels also benefitting from a built‑in reverb and a range of ToneMatch EQ presets — the ToneMatch library can be managed using the Bose Music mobile app, which also offers full control over the S1 Pro+.

At lower playback levels, the system is capable of running for up to 11 hours when powered by its built‑in battery, and Bose say users performing indoors to an audience of up to 100 people can expect around five hours of operation. For those looking to go completely cable‑free, the company also offer a range of mic and instrument RF transmitters that can be stored in, and charged by, an S1 Pro+.

E‑V Everse 8 & Everse 12

E‑V Everse 12E‑V say that the aim of their Everse range is to deliver a step up in sound quality for the battery‑powered PA market, while still delivering high SPLs and full‑bandwidth playback. There are two models available: the Everse 8 and Everse 12, which, as their names suggest, are equipped with eight‑ and 12‑inch drivers respectively. Both are capable of operating for up to 12 hours on a single charge, with the Everse 12 offering a higher maximum SPL and extended low‑end response — 126dB and ‑3dB at 55Hz compared to the Everse 8’s 121dB and 60Hz figures. An onboard four‑channel mixer features a pair of XLR/TRS combi sockets for mic and line‑level signals, along with 3.5mm TRS and Bluetooth connectivity for playback devices, and there’s a 12V DC output that can be used to power E‑V’s wireless mic systems. If you’re looking to put together a larger system, it’s possible to link up to six Everse units wirelessly using Bluetooth. Some processing and effects are provided courtesy of sibling brand Dynacord, and in addition to the local controls, the mixer can be operated remotely from a mobile device using the E‑V QuickSmart app. Both systems boast a compact yet durable design, and are even IP43‑rated, meaning they’re resistant to splashes of water and light rain.

Fishman Loudbox Mini Charge

Fishman Loudbox Mini ChargeFishman’s Loudbox range comprises five amplifiers that are primarily aimed at acoustic guitarists. The Loudbox Mini Charge takes the popular 60W Mini variant and adds a built‑in battery that allows for up to 18 hours of operation at low levels, or four hours at full volume.

The first of its two input channels is dedicated to instruments, with a quarter‑inch TS input designed to accept a signal from passive or active pickups followed by a polarity button, three‑band EQ section and a pair of knobs that control the level of the amp’s onboard reverb and chorus effects. The second channel features an XLR input for connecting a microphone, and includes a two‑band EQ along with a reverb level control.

HK Audio Move 8

HK Audio Move 8Described by HK Audio as “the battery‑powered all‑rounder”, the Move 8 provides users with a versatile all‑in‑one system capable of tackling everything from background music playback to live performances. A part of the company’s Premium PR:O family, the system promises to deliver transparent, full‑range sound, and will operate for up to 11 hours when fitted with two fully charged batteries.

There’s a four‑channel mixer built in, with the first two channels accepting mic and line‑level signals on XLR/TRS combi sockets and offering a two‑band EQ and reverb effect; the third channel boasts an instrument input with switchable Celestion cabinet modelling, EQ and reverb, and the fourth is equipped with 3.5mm TRS and Bluetooth connections. A free Move 8 Remote mobile app not only provides remote control over the system, but also unlocks some additional features including a two‑band EQ for the aux/Bluetooth channel, cabinet simulation and effects selections for the instrument channel, and a built‑in karaoke function.

JBL Eon One Compact & Eon One Mk2

JBL Eon One Mk2

JBL Eon One CompactJBL’s Eon One Compact speaker is small and light enough to carry with one hand, but still promises to deliver a sound big enough to fill a room. It’ll reach 112dB SPL, and despite its tiny footprint, boasts a low‑frequency response that extends down to 37.5Hz. There are four channels on offer: the first two accept mic and line‑level sources on XLR/TRS combi sockets, the third is equipped with a high‑impedance instrument input, and the fourth accommodates wired and wireless playback via 3.5mm TRS and Bluetooth connections. A quarter‑inch TRS socket allows a signal to be passed on to additional units, and there’s also a headphone output and a pair of USB ports for charging mobile devices.

The JBL Compact Connect mobile app offers remote control over the likes of level, EQ, effects and preset management, as well as allowing audio to be streamed directly to up to four Eon One speakers. As for battery life, the system is capable of running for up to 12 hours, its batteries can be swapped out in seconds without the need for any tools, and it can be quick‑charged in 2.5 hours — you can also charge the system while its being used.

If you need something with more power to hand, then JBL’s Eon One Mk2 compact line array can also be run on battery power, and comes equipped with a built‑in five‑channel mixer with three mic/line‑level inputs, two dedicated line‑level channels and support for Bluetooth streaming.

LD Systems Road, Maui & Anny

LD Systems Maui 5 Go

LD Systems have quite the range of battery‑powered systems, many of which can be purchased as bundles that combine them with the company’s various wireless microphone systems. There are three ranges to choose from: the Road, Maui and Anny Series, each of which is available in a variety of sizes and configurations. Both the Road Series and Anny Series feature traditional cabinet designs fitted with eight‑ or 10‑inch drivers and a one‑inch tweeter, while the Maui takes the form of a compact line array that combines an eight‑inch subwoofer with a detachable column loaded with three‑inch drivers.

The amount of I/O varies across the ranges, but all are kitted out with at least one mic/line‑level channel and a dedicated input for music playback devices; many also feature an instrument input, along with link outputs that can be used to combine multiple units.

Mackie Thump Go, Thrash212 Go & ShowBox

Mackie Thump GoMackie are one of the best‑known names in the small‑format PA world, so it’s no surprise to see a range of battery‑powered options in their current line‑up. First up is the Thump Go, an eight‑inch speaker with 200W of power, an onboard two‑channel mixer and a range of voicing modes. Both channels accept mic and line‑level signals on XLR/TRS combi sockets, and the second also offers a 3.5mm TRS connection and wireless streaming over Bluetooth.

The Thrash212 pushes the power up to 300W, pairing a 12‑inch driver with a one‑inch tweeter; it offers the same connectivity as the Thump Go, but without the voicing modes.

Mackie Showbox & Showbox controllerThe ShowBox steps things up a gear with a built‑in six‑channel mixer that will accept a mixture of mic, instrument and line‑level signals along with Bluetooth streaming, with each channel benefitting from three‑band EQ and one‑knob compression. There’s a collection of onboard effects aimed at vocals and guitars, along with rear‑panel send and return points for hooking up external processors, and the unit even includes a built‑in looper and tuner. Helpfully, the ShowBox’s control panel can be removed and mounted to a mic stand, placing all of its key controls within easy reach during a performance.

Positive Grid Spark Live

Building on the success of their popular Spark amps, Positive Grid’s Spark Live offers an all‑in‑one PA solution that’s capable of handling the likes of guitars, basses, vocals and keyboards. The first of its four channels is dedicated to guitars, with a row of front‑panel controls providing amp‑style gain and EQ, while the second channel is equipped with an XLR mic input. Both benefit from a selection of eight customisable presets.

Positive Grid Spark LiveA pair of inputs for connecting stereo line‑level sources follows, with wireless connections supported thanks to Bluetooth connectivity; a pair of line‑level outputs allows a stereo signal to be passed to another device. The company offer a choice of two optional wireless foot controllers that allow users to toggle effects and switch between presets, and there’s also MIDI I/O on five‑pin DIN sockets for connecting third‑party controllers. Given the unit’s heritage, it’s no surprise to see a wealth of modelling capabilities built in, and connecting to the Spark Live’s companion mobile app offers access to 33 amp models and 43 effects, in addition to in‑depth control of the device’s mixer functions. The system can be placed horizontally or vertically, as well as upright or tilted, and is fitted with a sensor that detects the orientation and can automatically apply the appropriate corrective EQ. With its optional battery pack fitted, the Spark Live will operate for up to eight hours.

Roland Cube Street II / EX

Boss Cube Street II

Roland’s Cube series has long offered a versatile selection of portable amps and PA speakers, and the two current Street variants will both run on eight AA batteries. Branded under the Boss name, the Cube Street II features dual 6.5‑inch drivers with 10W of power, and is capable of operating in stereo. Its first channel will accept mic or instrument signals, and includes a three‑band EQ along with reverb and an automatic harmony function with three operation modes: unison, high and higher. The second channel will also accept mic and instrument signals, but focuses on guitar, offering a three‑band EQ, chorus, delay, reverb and a set of nine amp simulations.

The larger Cube Street EX opts for a pair of eight‑inch drivers and two‑inch tweeters, ups the power to 50W — there are selectable 25 and 10W options intended to extend battery life — and adds Audio In and Line In channels, with the former offering a 3.5mm TRS connection and the latter sporting a pair of quarter‑inch TRS sockets. Both models integrate with Roland’s i‑CUBE Link and CUBE JAM iPhone/iPad apps, which provide a range of rehearsal, jamming and recording features. The Cube Street II also benefits from a CUBE Street II Editor app, but requires an optional Bluetooth adaptor for iPhone/iPad integration.

Roland Cube Street EX

Yamaha Stagepas 200BTR

Yamaha Stagepas 200BTRYamaha’s Stagepas 200BTR packs some of the technology behind their high‑end audio gear into a small, portable unit that can run for up to 10 hours without any mains power. There’s 180W of power on offer, with the compact cabinet housing an eight‑inch driver and 1.4‑inch tweeter that deliver a maximum SPL of 125dB and reproduce frequencies as low as 60Hz.

An onboard five‑channel digital mixer features three mic/line‑level inputs on XLR/TRS combo sockets — channels two and three will also accept Hi‑Z instrument signals — while channels four and five sport a quarter‑inch TRS socket dedicated to stereo (or summed mono) line‑level signals, along with wireless streaming via Bluetooth. There’s also a link output that can be used to feed a monitor or second PA speaker.

Top‑panel level and EQ preset controls are available across the board, while the mic/line channels benefit from built‑in reverb, delay and chorus effects; a Main output section then provides Speech, Music and Club operating modes, along with a Feedback Suppressor processor and control over the unit’s reverb type and time settings. The Stagepas 200BTR is supplied with a stand that allows it to be positioned at a 30‑ or 60‑degree angle (it can also be mounted on a speaker stand), and Yamaha offer a dedicated carrying case as an optional extra.

Yorkville EXM Mobile / Pro

Yorkville EXM Mobile TowerYorkville’s battery‑powered range can be divided into two categories: the EXM Mobile and EXM Pro, each of which are available in a selection of different sizes. The EXM Mobile offerings all feature a built‑in three‑channel mixer with reverb and delay, and offer wireless Bluetooth streaming in addition to mic, instrument and line‑level connectivity. The EXM Mobile combines a pair of 6.5‑inch woofers with a one‑inch soft‑dome tweeter, while the Mobile 8 is equipped with an eight‑inch woofer and a five‑/one‑inch coaxial driver. For those that require a bit more low end there’s the EXM Mobile Sub, which houses a pair of eight‑inch drivers in a bass‑reflex cabinet with an integrated speaker stand mount. a pair of inputs are provided on XLR/TRS combo sockets, and there are three XLR outputs: a stereo pair placed after a 100Hz high‑pass filter, and a full‑range mono output.

Yorkville EXM Pro12For larger events, the EXM Mobile Tower takes the compact line‑array approach, offering a full‑range system that’s capable of running for up to 10 hours. There’s also the YSC Mobile, a limited‑edition version of the EXM Mobile that sports a vintage‑style finish and a Traynor ‘script’ logo to commemorate the 60th anniversary of Yorkville Sound and Traynor Amps. The larger EXM Pro10 and Pro12 — which pair a one‑inch tweeter with 10‑ and 12‑inch woofers respectively — pack some extra punch thanks to a larger cabinet and a more powerful 48V battery, and can be paired with the dual‑10‑inch EXM ProSub to form a capable full‑range system.