SOUND ON SOUND
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Tascam’s new recording mixer is the most flexible Model‑series console yet.
Toontrack’s latest EZX expansion brings classic and contemporary pop drums to EZdrummer and Superior Drummer.
This pedal‑format compressor doubles up as a serious studio tool.
Have Wes Audio achieved the perfect union of analogue processing and digital control?
You might wonder why I’m still drawn toward effects pedals when plug‑ins can often do so much more, but in a way that answers the question.
Studio One Pro 7 is a solid upgrade with something for almost everyone.
We get re-acquainted with some of Pro Tools’ stock plug‑ins.
PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.
Sennheiser have shrunk down their classic 421 — but have they retained everything that made it so popular?
Will Soyuz’s beautifully crafted four‑capsule mic help turn Ambisonics from a niche interest to a mainstream studio technology?
In the age of mixer‑less studios, monitor controllers are on the rise!
The SOS team pick their favourite hardware and software from the past 12 months.
We revisit some old tape masters with the help of Logic’s new Stem Splitter.
Looking for a new plug‑in to fuel your creative endeavours?
Drawing on their established 300‑series pencil mics, Microtech Gefell have created a small but potent modular range.
NI’s long‑established software sampler gains a raft of new features and other improvements.
These audio files accompany our December 2024 Logic Pro Stem Splitter workshop.
Having worked as a vocal coach for a decade, producer and engineer Gili Portal trained at the Abbey Road Institute before landing her current full‑time role at London’s RAK Studios.
Engineer and Producer Louis Austin talks about his early days in the industry, where he developed his recording skills working with Queen, Fleetwood Mac, Sweet and Judas Priest.
Paul White and Hugh Robjohns pick their software and hardware highlights from the gear they've reviewed in the last 12 months.