
In this episode Eddie Bazil explores the various ways that delay effects can be used and applies these techniques to a finished composition.
Show Notes
Chapters
00:00 - Introduction
00:23 - About Delay Effects
01:57 - Example 1: Using Delay As A Reverb
03:38 - Example 2: Applying Depth To Drums
04:39 - Example 3: Using Delay To Create Motion
06:42 - Example 4: Creating Rhythmic Effects
07:58 - Example 5: Creating A Shadow Effect
09:21 - Example 6: Creating Texture
21:08 - The Completed Sequence
Presenter: Eddie Bazil - Biog

A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing, and becoming a contributor and Forum moderator for Sound On Sound.
Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.
https://eddiebazil.co.uk
https://samplecraze.com
https://theaudioproductionhub.pivotshare.com
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