SOUND ON SOUND
Paul Tingen has been a contributor to Sound On Sound since 1990. In addition to his regular artist and producer interviews, he began writing the Inside Track: Secrets of the Mix Engineers series in January 2008.
He is also the author of a book, Miles Beyond: the Electric Explorations of Miles Davis, 1967-1991 (Billboard Books), a producer, and a guitarist with one album to his name.
Paul maintains two web sites: www.tingen.org and www.miles-beyond.com, and an Instagram page: @paultingenmusic
Can you mix a hit record in 45 minutes? Billy Decker can, and in this book he tells you how!
From sketches to final mixes, engineer Jonathan Low spent 2020 overseeing Taylor Swift’s hit lockdown albums folklore and evermore.
As if being in charge of the largest studio group in the world wasn’t enough, Miloco director Pete Hofmann also found time to mix the latest album from the UK’s biggest dance‑pop group, Steps.
Martin Garrix’s extraordinary career has seen him graduate from bedroom producer to international star, label owner and proprietor of one of the world’s most advanced Dolby Atmos studios. He tells us how it happened.
Bruce Springsteen’s latest album was an international hit last year, but the console it was mixed on was made a quarter of a century ago. Mixing legend Bob Clearmountain was at the controls.
When rapper Machine Gun Kelly enlisted the help of producer and Blink‑182 drummer Travis Barker on his latest album, a shift to pop‑punk seemed inevitable. Who better to mix it than punk/hip‑hop crossover engineer Adam Hawkins...
The lead single from Pop Smoke’s posthumous debut album was stitched together from two demos in different keys. Mix engineer Jess Jackson turned it into a piece of pop magic.
Kevin Grainger has developed a unique approach to dance mixing — and, as Joel Corry's 'Head & Heart' proves, a highly successful one. We break down this hit track.
Haim's latest album was made with a mix of old-school and modern techniques and equipment.
Lady Gaga's latest album was two years in the making, and marked a return to her electronic roots.