SOUND ON SOUND
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A synth's filter plays a major part in defining its sound, and creates the particular character of the best-loved vintage analogue models. Courtesy of its different filter cartridges, the ATC1 aims to be able to change its sound to suit your needs. Paul Nagle plugs in.
The Alesis QS line gets a flagship, with a weighted keyboard, controller features, and an extended sound set. Helmsman Martin Russ finds out whether she's seaworthy...
The TL Audio Indigo range keeps on expanding, with cost-effective hybrid valve/solid state processors emerging for every studio purpose. Paul White discovers that Indigo can be a very warm colour...
Almost a decade since the release of their classic EMT10, Yamaha have returned To the piano module market, spinning off some of the technology used in their top-end digital pianos and using it in an inexpensive half-rack expander format. Dave Crombie tickles the virtual ivories...
Paul Wiffen, a ferocious advocate of hardware sequencers for many years, takes a look at Yamaha's new flagship sequencer and finds himself reminiscing about the way things were (and could be again).
After much high-profile production work in the 1980s, David Lord retreated from the stress of the pop world to concentrate on chosen projects which would exercise his considerable composing and arranging talents. Paul Tingen runs him to earth at Terra Incognita studios, for a long-overdue update.
TV music composer David Lowe tells Paul White how a British Airways World commercial took him halfway around the world — and back...
Within just a few years, the Mackie brand has come from almost nowhere to a prominent position in the project studio mixer market. Now the company are looking to the future and deciding where they can next apply the Mackie philosophy. Paul White takes a busman's holiday to Seattle and looks behind the scenes in R&D.
Richard Buskin talks to top engineer Jon Jacobs and learns about his partnership with legendary man-behind-the-board, Geoff Emerick, and the novel techniques they employed during the making of the latest album by Elvis Costello and The Attractions.
Debbie Poyser and Derek Johnson fold up the cybermap, put the virtual surfboards back into storage, and conclude their musician's guide to the internet.
A well respected studio favourite for several years, Audio Technica's cardioid AT4033 has now been slightly updated. Paul White reassures himself that the warm 4033 sound remains unchanged...
'Manager' speaks with forked tongue, says Rehearsal Studio co-owner Nicholee Smith.
One of the PC's plus points is its adaptability to a variety of tasks depending on the extra hardware installed in it — and the soundcard used can make or break it as a musical tool. In this two-part series, Brian Heywood takes a look at the various types of soundcard available.
Ofir Gal and Derek Johnson round up more Atari software and hardware news, and discover a new online Atari magazine.
When your PC soundcard ceases to function, the newly connected external controller very often gets the blame — wrongly. Brian Heywood identifies some possible alternative causes.
Janet Harniman-Cook quite literally takes the lid off the PC, and explains why she thinks it's the best bet for the future of music.
Paul White looks at the components of a PC-based desktop music system, and suggests some helpful ways of using such setups in conjunction with more 'traditional' studio equipment.
The PC-owning community now seems to be split into two camps — those who already record onto hard disk, and those who would like to, but have not yet worked out what equipment they really need. Martin Walker guides you past the pitfalls and perils.
Paul White gives some foolproof step-by-step ideas for creating contemporary and vintage guitar sounds in the studio.
Martin Russ gets to grips with Quick Time 2.5, explains how Weird Blinking Lights work, and gives his regular roundup of Mac news and useful 'net addresses.