SOUND ON SOUND
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Paul White appraises the latest contender in the budget, general-purpose mixer category, and finds that its deceptively simple facade conceals several powerful and unexpected features.
Many musicians are familiar with the SPL Vitalizer. Now the company hope to win a space in the racks of studios world-wide with their new Optimizer. Dave Lockwood finds some unique features behind the company's unconventional approach to equaliser design.
Not only does this digital processor produce a wide range of convincing guitar tones, it can also double as a general-purpose studio effects unit. Paul White dusts off his axe and plugs in.
808 State have seen the future — and it's called the Internet. You can now contact the group via the net thanks to their new information service, State to State. 808 mainman Graham Massey explains the idea to Matt Bell.
Despite having produced a string of successful albums by artists as diverse as Crowded House, Suzanne Vega and Elvis Costello, Mitchell Froom still strives for a fresh approach to each new project and refuses to sit back and sink into a formula. Paul Tingen talks to him.
Atari's high flyer had top billing as the first ever personal multimedia system. Andrew Wright enters stage left to look at the claim.
American producer Steve Ferrera has a problem with most A&R people — and that's why he's taken a job as head of A&R at Echo, the new record label set up last year by Chrysalis group chairman Chris Wright. Artist-friendly labels may be a cliche, but Ferrera is determined that Echo really will be different. Here he explains his Philosophy...
Dave Crombie gets to grips with Alesis' Tardis-like synth module and finds out that the inside is a lot bigger than the outside.
Probably best known as the producer of Meat Loaf's monster selling 'Bat Out Of Hell' album, Todd Rundgren's wide-ranging career has continually encompassed cutting edge technology. Jimmy Phillips talks to him about his latest ventures: an interactive music CD and interactive stage show.
Paul White explains some of the principles behind the 3D sound perception, and shows how you can apply some of these to your mixes using nothing but simple effects and a little EQ.
David Mellor takes a look at the components of a typical disk recording system, and passes on some hints on what to look for when deciding on a setup.
This month Amiga guru Paul Overaa takes over the reins on our Amiga Notes pages. What have we let you in for? Read on and you'll see...
Are MIDI Files too expensive? Vic Lennard investigates...
Using a Leslie no longer means dragging around a large wooden cabinet crammed with rotating speakers. More and more modern units and simulators are now available, and Nick Magnus dons his prog rock mantle to explain how to get the most from them.
This month, in addition to all the latest Apple hardware and software news, Martin Russ brings you a behind-the-scenes interview with the Director of Sales at Opcode...
David Mellor explains why he abandoned his hardware sampler in favour of Digidesign's computer based sample playback card, and takes a look at what you need to make it into a fully fledged sampling setup.
Brian Heywood finds out where you can go for a PC software demo, checks out the Windows MIDI Mapper, and spends some money via his PC...
Behringer claim that the Combinator can dramatically compress a signal without introducing any undesirable side-effects. Paul White checked it out on a mastering session.
Paul White checks out these American mics and finds they compare very favourably to other popular dynamics.
Steve Howell investigates a single-channel MIDI-CV converter.