SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Craig Anderton's QY10 goes everywhere with him — and he's developed loads of useful short-cuts to help QY10 owners make even better use of this brilliant musical notepad.
Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?
This deceptively small console conceals a sophisticated VCA automation system that can be used independently or in conjunction with external MIDI devices.
If you're looking for instant gratification in the effects department, ART have something that'll do nicely — as Paul White finds out.
Steven Helstrip checks out a four-program PC package which aims to cover all the MIDI production bases.
Wanna record professional quality audio on your PC's hard disk? Brian Heywood investigates the temptingly low cost route offered by Digital Audio Labs' plug-in cardD system.
Synthesist Ian Boddy steps back in time to report on the classic British sound machine, regularly found haunting the electronic music departments of many a university, and a recent addition to the author's own sonic armoury.
In this final instalment, we present a practical overview of the 'room‑within‑a‑room' principle which is used in the construction of virtually all major studios.
Having dealt with walls and floors, we move on to the floors and ceilings of the studio, with a view to reducing sound leakage even further.
We turn our attention to uprating studio walls, as well as techniques for building sound‑isolating partitions.
This month, we examine doors and windows, the most vulnerable areas when it comes to sound leakage.
SOS begins an in‑depth series on practical studio design. This month, the emphasis is on measures you can take to soundproof your studio or practice room.
The division between sampler and digital recorder has grown ever narrower with the release of the Lynex, a sophisticated manipulator of high quality, 16‑bit stereo sounds that piggybacks on to any host Atari ST computer. SOS Editor IAN GILBY takes the mouse by the horns...
Engineer Dave Meegan recalls how depression helped land him a plum position at Trevor Horn's Sarm West Studios. Chris Allison listened with great interest.
Ian Gilby takes control of the Bokse US-8 Universal Syncronizer.
Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.
Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story.
Accepted as the synchronisation standard in the television and broadcast industry, this digital timecode is fast making inroads into the recording studio at all levels. Kendall Wrightson puts it all in perspective with the start of this series.
Always eager to expand their experiences, Mainframe duo Murray Munro and John Malloy talk to Ian Gilby about the processes involved in the shooting of the promo video that accompanied their recent Polydor single release.
A chance to do some crystal gazing at product developments in the music / recording / visual fields.